1. Mic C414XLS/ST
Realistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localisation from the pair of microphones. Therefore, every factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.
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2. C 4000 B
The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound.
Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage.
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3. C 3000
The new C 3000 features a cardioid pickup pattern, a 20Hz to 20kHz frequency response, low noise electronics, high SPL capability and an internal shock mount, which drastically reduces handling noise from mic stands or cables. The switchable 10dB preattenuation pad increases the SPL capability by 10 dB and accommodates loud instruments like brass instruments or guitar amplifiers with ease. The switchable first-order 500Hz low frequency filter eliminates the proximity effect for close-miking.
The standard accessories are a metal carrying case and a spider-type shock mount.
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4. C 2000 B
One of the basic rules of recording is that the quality of the recorded signal is determined by the weakest link in the signal chain. Today, any microphone needs to match the high quality of 24-bit recording media.
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5. C 1000 S
The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications.
If no phantom power is available, the mic can be powered by a standard 9 V battery, making it perfect for mobile use. With its new battery monitoring electronics, the C 1000 S now features a reliable LED warning light.
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6. C 4500 B-BC
The C 4500 B-BC meets the strictest requirements of digital audio with its ultra-low 8 dB-A self-noise and 145 / 165 dB maximum SPL capability. Its end-address format and its unique acoustical design allow the microphone to be used comfortably for on-air broadcast work and for easy positioning in front of instruments such as bass drum, upright bass, baritone saxophone, guitar amps and other high-output sources. Its patented internal 3-stage filter and very low up-close bass boost allow it to be positioned close to the source to accurately capture every nuance of the sound.
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