3. Mic CGN99C/L
4. Mic HM 1000
- Hanging module with rugged thread connection and self-cleaning, gold plated contacts
- For use with five different Capsule Modules
- Integrated switchable LED ring
- Integrated bass rolloff filter
- Rugged all-metal construction
- Non-reflective anthracite finish
Using microphones flown from the ceiling to record music or speech in places of worship, conference rooms, or on theater stages is becoming more and more popular. A 10-m (33-ft.) special cable that is treated specially to reduce twisting to a minimum even if the temperature varies and a spring steel hanging clamp for precise microphone alignment will keep the microphone securely in its position.
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5. Mic GN 155 Set
- Elegant floor stand
- Integrated LED ring
- For use with five different capsule modules
- Rugged all-metal construction
Elegant gooseneck module with heavy, shock mounted floor stand in matte gray finish for use with all Discreet Acoustics Capsule Modules. Integrated LED ring status indicator. Suited for stand-alone use on stage or in front of a lectern. Two integrated flexible gooseneck sections allow optimum alignment with talkers of different heights or positions.
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6. Mic GN 15 (30, 50)
- Rugged construction
- Highly reliable contacts for capsule modules
- Integrated LED ring status indicator
- Integrated, switchable bass cut
- Integrated XLR connector
All E-Series modules come with an integrated connector for quick setup and takedown. The goosenecks are available in various lengths. GN 15 E: 23.5 cm (9.2 in.); GN 30 E: 38 cm (15 in.); GN 50 E: 57.2 cm (22.3 in.). Of course the series also has an integrated 200 Hz bass rolloff filter and LED ON/OFF jumper.
See product images for mounting examples.
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7. Mic CK 31
- Cardioid polar pattern
- 125° pickup angle
- Screw-on Capsule Module
- Highly efficient windscreen
The cardioid is the most popular polar pattern since it can be used almost universally. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone. The body is identical to that of the CK 32 and CK 33.
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8. Mic CK 32
- Omnidirectional polar pattern
- 360° pickup angle
- Screw-on Capsule Module
- Highly efficient windscreen
Due to its high sensitivity in all directions, the CK 32 omnidirectional Capsule is an excellent choice especially for lavalier applications, but also for situations requiring ambience pickup. The body is identical to that of the CK 31 and CK 33.
Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module.
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9. Mic CK 33
- Hypercardioid polar pattern
- 95° pickup angle
- Screw-on Capsule Module
- Highly efficient windscreen
Due to the narrow 95° pickup angle, the hypercardioid polar pattern is a good choice for all situations when noise typically arrives from the sides (especially in places of worship), where people talk into the microphone from greater distances, or where several talkers are grouped side by side. The body is identical to that of the CK 31 and CK 32.
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10. Mic DMM 4/2/2
- 4 microphone and 2 stereo AUX inputs
- 1 recording output and 1 master output
- Digital signal processing including dbx® compressor/limiter
- Intelligent mixing algorithm with noise sensitive threshold
- 19” all-metal case with integrated power supply
The DMM 4/2/2 is a processor controlled digital automatic mixer with four balanced microphone inputs, two stereo AUX inputs and one master output. A unique and highly effective, intelligent mixing algorithm automatically allocates gain among the system microphones (NOM attenuation). A special noise detection function and the “Noise Sensitive Threshold” algorithm (NST) prevent accidental activation of input channels.
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11. Mic DMM 4/2/4
- 4 microphone and 2 stereo AUX inputs
- 1 stereo recording output and 1 stereo master output
- Digital signal processing including dbx® compressor/limiter
- Intelligent mixing algorithm with noise sensitive threshold
- 19” all-metal case with integrated power supply
The DMM 4/2/4 is a digital automatic stereo mixer with four balanced microphone inputs, two stereo AUX inputs and one stereo recording output and one stereo master output.
A unique and highly effective, intelligent mixing algorithm automatically allocates gain among the system microphones (NOM attenuation). A special noise detection function and the “Noise Sensitive Threshold” algorithm (NST) prevent accidental activation of input channels.
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